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Written By: Michael D. McClellan |

Quick Q & A: Veteran actor Tim Russ sits down with Michael D. McClellan to talk about his iconic role as Lieutenant Commander Tuvok on Star Trek: Voyager, playing Principal Franklin on iCarly, and what it’s like interacting with Trekkies the world over!

BRIEF BIO: Tim Russ has been working as an actor, director and musician for the past thirty-five years. His talents encompass a wide spectrum of the performing arts including composing, musical performances, writing, producing, directing, and voice-over. His acting credits include; Live Free or Die Hard, The People Next Door, Star Trek: Voyager, Samantha Who, and iCarly.

Tim’s music can currently be found on www.cdbaby.com and iTunes, and he performs regularly in Los Angeles with his band. As a producer, Tim headed up a number of projects including the feature film, East of Hope Street, and an award-winning children’s book/audio CD entitled, Bugsters, published by Wood’s N’ Water Press.

Mr. Russ has also entered the TV/Film directing arena with credits including, Star Trek: Voyager, Star Trek: Renegades, The FBI Files, and the feature films, Star Trek: Of Gods and Men, and Night at the Silent Movie Theater. His resume also includes the award-winning web series, Bloomers.

Tim also received an Emmy Award for directing of several commercials for the FBI. You can check out all of his credits on IMDb.

Star Trek is one of the most iconic franchises in the history of television and film. What you have enjoyed the most about being a part of this franchise?

Well, it’s been a big boost for my career as work goes.  I am able to get into more doors for other projects than I could before the role on Trek.  Mostly I am touched by the impact my role on the show had on people in their personal lives.

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What was your childhood like?

I was raised in an Air Force family, for 20 years. So, we moved around a lot. I became interested in theater in high school performing in plays, and taking classes, and then studied acting in college for 5 years.

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As a fan of Star Trek growing up, what was it like for you to land that first role, as Devor, in Star Trek: The Next Generation?

Well, truth be told, I was only familiar with Trek because that was one of the few shows we had to watch on TV. There were only 3 channels back then, and it aired repeatedly for decades because it was in syndication. I was glad to have booked the role because it meant I had an inroad to the other Trek projects they were developing.

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Case in point: You played the iconic Lt. Tuvok in Voyager. How did you celebrate when you landed the role?

I was simply excited to have booked a series regular role on a show that I knew would be on for at least 7 years. That was my goal at the time.

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The Star Trek fan base is one of the most passionate out there. What do you enjoy the most about interacting with the Trekkies at conventions and other PR events? Are there any upcoming that you would like to share?

Things were put on hiatus because of COVID, but now the world is slowly getting back to normal. People will have check out my website (timrusswebpage.com), and I’ll post the dates as they come in. It’s always good to see fans that are always enthusiastic and loyal to the show, which is great.

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Voyager recently celebrated is 25th anniversary.

Being part of the franchise, which is, as we speak, ongoing, and being on board that train seems to be never-ending.  Anything I do now, or anywhere I go, the majority of people out there relate me to [Voyager]. I’m going to be tied to it. It’s not ever going to go away. From a career standpoint, the legacy has been quite positive. I’ve been able to do a lot more things and stretch my wings creatively because of the opportunities that came about as a result of being on that show. I think that has been a big plus for me.

It has, not a huge following, but they’re very much a group of enthusiastic fans. They are over-the-top enthusiastic about it. And thus, we’re still doing conventions and that that adds up to roughly 27 years, 28 years of doing conventions without stopping. So, it’s pretty remarkable being involved in a project for that long.

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You got your start directing on Voyager.

It was great to have the opportunity by the producers. They allowed you to do an internship while being on the show and get a shot at shooting an episode. It was wonderful to have that opportunity. I can’t say that enough. You may not get that on all the television shows, although it is more common than it used to be. Even though it was just the one episode, that got my feet wet. I loved the episode. I thought it was good story and it turned out very, very good. So, I can only say I was fortunate to have the opportunity.

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You played Principal Franklin on iCarly. What was that like?

The days on iCarly were typically long, and the producer would often make changes to the script right there on set while filming. The regulars on the show were fantastic, I can’t say enough about how skilled, and disciplined they were given that they had so much work to do including school for some of them. I liked all the episodes, each one was a kick.

Tim Russ as Principal Franklin on iCarly

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You participated in some virtual conventions during the COVID pandemic in 2020. What was that like?

Yeah, you can just roll out of bed, get dressed, and sit down in your living room and be able to do a Q&A and a panel and all that good stuff. For people who cannot afford to get to the conventions and all the expenditure that’s involved in flying, hotels, and stuff, it definitely is advantageous for them to do it online.

But it’s a double-edged sword. It is a give and take. I don’t think that those are going to permanently replace in-person conventions, which I think I would probably prefer. Just the scale is generally pretty big. And sometimes I get a chance to perform at those musically with my band, so that is much easier to do in person.

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How’d you get into music?

I’ve always been interested in music. I started when I was 16, and I’ve been playing music for 45 years. I am still performing with my band a couple times every month. My earliest influences were from classic rock bands like Santana, Chicago, Peter Gabriel, Bruce Hornsby.

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What do you enjoy the most about performing live?

The energy of playing live with the band, being in the pocket on a song, and the energy you get back from the audience. There is no other feeling like it.

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Acting can be a fickle business. What are some of the things that you attribute to your success as a professional actor?

Specifically: Persistence, training, networking, physical type, and…luck.

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Name three actors that you’ve acted with that have had a positive influence on your career.

The late Al Lewis, Godfrey Cambridge, and Greg Morris.

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How has the acting game changed since you started working in the mid-80s?

The Internet and computers have been the biggest change. That, and the digital medium by which we shoot and manipulate the films. The way we now communicate, and work together – audition materials and auditions are all sent and received online. Things are a lot more efficient and faster now, although the standardization could be a lot better.

Tim Russ as Robert Johnson in the 1986 film, Crossroads

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You’ve been acting in TV and film a long time. What are some of the key character mileposts on your journey from that first role as Sam in the TV series Hunter to where you are today?

I booked a few series projects on the way to Voyager. They were really good gigs, even though they were short-lived, projects like The People Next Door, The Highwayman, Samantha Who, and iCarly. As an actor, they were very rewarding. Every one of those characters were unique, from playing a miniature man who lived in an answering machine, to a high-tech guru team member in a sci-fi action series.

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Robert Ray Shafer (The Office) is a friend of mine. What was it like working on Dick Dickster with him?

He’s a blast to work with, very talented, tons of laughs, and he’s a little bit crazy! I look forward to working with him again.

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In addition to an impressive acting resume, you’re also an accomplished director. What’s it like to sit in that chair?

I enjoy creating a dramatic or comedy narrative on film. Taking the written story and bringing it to life on screen. Very much a creative challenge. Not on top of my list is working with producers who don’t know what they are doing.

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What’s next for Tim Russ?

I’ve been developing and pitching some projects of my own, and doing a lot more voice-over work this past year. I look forward to going back to work full tilt!

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Final Question: If you had one piece of advice to share with other aspiring actors, what would that be?

Pick another profession [laughs]! Just kidding…almost. Honestly, that’s usually the first thing I tell them. It’s a brutal business to try to make a living at, and only a fraction of actors make a career out of acting. So, I would ask them to study the basics of the craft; look at films and television and ask themselves if they can see themselves in any of the roles they see. What is their “walk and talk?” Then, once you figure out what kind of roles you’d likely be cast in, focus on playing those types of roles, because those are the types of roles you’ll be going out for or booking. Get your tools together: pictures, resumes, demo reels…and try to secure an agent or manager. I would also advise them to count on those things I mentioned earlier: Persistence, training, networking, physical type, and…luck. You can always go out for roles in regional and local theater while working your regular job as a B plan.

Michael D. McClellan sits down with Oscar-winning actor George Chakiris to talk about his legendary role as Bernardo in the 1961’s Academy Award Best Picture-winner, “West Side Story.”


Check it out on the FifteenMinutesWith YouTube Channel!


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Written By: Michael D. McClellan |

Psst. Nik Wallenda has a secret he wants to share. The record-setting daredevil, who has thrilled millions with his white-knuckle treks across the Grand Canyon, Niagara Falls, and – wait for it – an active volcano, found himself at a crossroads after an eight-person pyramid collapse injured five, including his sister, who ended up in a coma and had 73 screws and plates inserted into her face. Wallenda, who was anchoring that pyramid under the Circus Sarasota Big Top that winter afternoon in 2017, clung to the wire for dear life when the team’s practice stunt when horribly wrong. While he walked away without a scratch and stepped back onto the wire the next day, Wallenda wasn’t as unfazed by the accident as it seemed on the surface.


“I was battling fear,” says Wallenda, who dives deep into the traumatic event in his new book, ‘Facing Fear: Step Out in Faith and Rise Above What’s Holding You Back’ (Sept. 15/HarperCollins). “We were attempting to break a world record for the highest four-level, eight-person pyramid. After training for six weeks we brought it up to 30 feet above the ground. We were days before attempting it in front of a live audience and in front of Guinness, and then the collapse happened. I got back on the wire the next day, and performed for the next six weeks as if nothing were wrong. But then, when that contract ended, I had six weeks where I wasn’t performing. That’s when I realized that there was something different about me. I started experiencing fear. It was an entirely new emotion to me, and it became debilitating, to the point where I told my wife I was done.”

For Wallenda – a seventh-generation member of The Flying Wallendas family of aerialists – this was not only a stunning admission, but the first step in his journey to overcome fear and resume the death-defying feats that have captivated imaginations around the globe. And if you’re wondering whether Wallenda is fully healed, you need look no further than his March 4, 2020, walk across the heat-generating, gas-spewing Masaya Volcano in Nicaragua. Crossing the volcano’s active lava lake, Wallenda offered proof positive that he’s on top of his game.

“That walk was challenging in so many different ways,” he says. “Pulling it off wouldn’t have been possible if I hadn’t gone through the process of facing my fear and silencing the shame that came along with it. From that point I was able to work through my fear and resurrect my dreams of being a world-class aerialist.”

A holder of 11 Guinness World Records, Wallenda has more than lived up to the legacy created by his great-grandfather Karl, who brought the family to the United States in the 1920s and immediately started thrilling young and old alike.

Nik Wallenda – Photo Courtesy Rogers & Cowan PMK

“I’m very proud of our family’s place in history,” Wallenda says, “and I’m proud to do my part to carry on the tradition, even though my mom and dad tried to push me away from the industry. They didn’t want me to carry it on because of the struggles of the circus world. My great-grandfather said it best in the 1970s: ‘In this business, one day you eat the chicken. The next day you eat the feathers.’ I totally get that now. This is a very fickle, very feast-or-famine business.”

Crossing Niagara Falls into Canada on June 12, 2012, Wallenda made history of his own: Enigma Research estimates that one billion people had either seen or knew of Wallenda’s Niagara Falls walk. The event was ABC’s highest rated Friday night program since November 2007, and the highest non-sports summertime program on any of the major networks in six years. A year later, Wallenda upped the ante with a riveting walk across the Grand Canyon, completing the 1,400 foot walk in 22 minutes, 54 seconds, using a 2-inch-thick steel cable.

Nik Wallenda crosses the Grand Canyon
Tiffany Brown/Associated Press Images for Discovery Communications

Wallenda has built quite the resumé by defying convention. He’s crossed the Chicago and New York City skylines on a high-wire; he’s hung from his teeth 250 feet above the ground as part of a helicopter stunt in Branson, Missouri; and he’s crossed between the two towers of the ten-story Condado Plaza Hotel in San Juan, Puerto Rico, recreating the very act that had killed his great-grandfather Karl Wallenda in 1978. None of it possible without a healthy approach to managing his fear.

“I’m human, just like everyone else,” he says. “Fear is something we all have to overcome. I hope this book helps others take what I’ve learned and apply it to their everyday lives.”

The Wallenda name is synonymous with thrill seeking. We’re talking hundreds of years!

My family started performing in the 1780s in Bohemia, eventually making their way to Europe and into Germany, and then on into the United States in the 1920s. We’ve been at it for quite a long time, that’s for sure!


How did your family end up in the U.S.?

In 1927 they performed in Havana, Cuba. John Ringling, who was based in Florida, heard of this amazing high-wire troupe that he had to go see with his own eyes. So, he got on a ship and went over to Cuba to watch the show that my family was headlining. When the show’s owner caught wind that John Ringling was in the crowd, he went to my great-grandfather and said, “You guys have the night off tonight.” This didn’t make sense, especially since it was a packed house and everybody was there to see them. Long story short, the show’s owner knew that John Ringling would like what he saw, and that he would immediately poach my family and bring them to the United States. Well, John Ringling was a smart man, and he knew that there was a reason my family was pulled from the show. I’m sure it had happened to him many times before during his lifetime. So he sneaked back in the following day, saw my family perform, and immediately signed them as part of the “The Greatest Show on Earth” with Ringling Brothers. The next year, in 1928, they made their way to the United States, and my family headlined at Ringling Brothers for about 17 years.

Karl Wallenda

Was that when the press starting calling your family The Flying Wallendas?

It was around the time that my great-grandfather went out on his own, opening his own show in the 1940s. In 1947 he created the famous seven-person pyramid, and performed that until about 1962. That’s when they had that tragic accident in Detroit, Michigan. A couple of my family members were killed, and an uncle was paralyzed from the waist down. My great-grandfather sneaked out of the hospital the next day against the doctor’s orders, just to get back on the wire. It was an example of him living by the family legacy, and the now famous words, “The show must go on.” That’s something I still believe in, although I use the words “Never give up.” In fact, that’s how I sign every autograph.


Your great-grandfather was the legendary Karl Wallenda. He was about as fearless as they come.

Yes, he was fearless in many ways. He went on to create these amazing pyramids performed all over the world, and he walked the wire into his 70s. He walked across Veterans Stadium in Philadelphia with 30,000 people looking on, open-mouthed, and he walked it in places like Tallulah Gorge, Georgia, on a wire 1,000 feet across and 750 feet above the ground. He was 65 at the time, and his wife handed him a martini when he reached the other side – but not before he’d stopping midway to do a couple of handstands, one in honor of our soldiers in Vietnam, and another for laughs, so he was definitely a showman with a flair for the dramatic.

My great-grandfather eventually made his way to San Juan, Puerto Rico, where my family was headlining on a show that wasn’t selling many tickets. He decided to do a walk between two skyscrapers at the Condado Plaza Hotel to help promote show. He was 73 years old at the time. He got on that wire unaware that it had been rigged unstable; the guys who rigged it weren’t part of his normal team that included my uncle, who was performing elsewhere, and my father, who was home because my mother had just suffered a miscarriage. Long story short, because of the high winds and the improperly secured wire, he lost his balance, fell, and lost his life. That was in 1978, Less than a year later I was born, and that was the legacy that I inherited.

Nik Wallenda – Photo Courtesy Nik Wallenda

Karl Wallenda’s best friend was none other than Evel Knievel.

Yes, they were very close friends. They both shared the same passion for entertainment, and also for pushing the limits. It’s just like me being friends with David Blaine, Chris Angel, and many of the other daredevils today. I think because there’s not a lot of us, and because we are all part of the same small community, that a natural closeness develops. It was the same with my great-grandfather. He and Evel Knievel spent a lot of time together during their lifetimes. They respected each other a great deal. In fact, when Evel Knievel attempted his big jump in that rocket over the Snake River Canyon, he recruited my family to open for him. If you look at the ticket stubs you’ll see the Wallenda name right there. So they were close. They performed a lot and spent quite a bit of time together.


When did you start walking the wire?

My mom was six months pregnant with me and still walking on the wire, so I’ve been walking on a wire longer than my feet have been on terra firma [laughs]. As soon as I could stand up, they had me on a wire a couple of feet off the ground. Not on my own, obviously; my mom or my dad would grab my hand and sort of walk me back and forth. I have photos of me walking on a wire at 18 months old. My great-grandfather really said it best in the book that he wrote in the 1970s. He said, “Life is on the wire, and everything else is just waiting.” That is very true. For my family it is a very literal expression, but the reality of the situation is that everybody is on a wire. That’s one of the reasons that I wrote this book, because everybody is on a wire and everybody’s trying to get to the other side. My family just does it in a literal sense: Even though there are gases in the volcano, or heavy winds in the Grand Canyon, or heavy mists at Niagara Falls, we are still going to face our fears and make it across to the other side.

Nik Wallenda

In 2013 you performed that heart-stopping wire walk over the Grand Canyon with millions watching on TV.

Very early on, it was a dream of mine to walk across the Grand Canyon. In fact, I was making plans to walk across the Grand Canyon well before I sought permission to cross Niagara Falls. It was a long and tedious process of just figuring out where in the canyon I could walk. And then there was the engineering involved, which was just as much of a challenge as actually getting on that wire and walking it.


How did you train for that walk?

I trained with wind machines creating gusts of up to 90 mph. We knew that the winds were not going to exceed 50 mph, so training at 90 mph really helped me prepare both physically and mentally. I did have to endure a couple of 43-mph gusts while I was out there the day of the walk, so it did get fairly windy. What I learned from walking the Grand Canyon is that you can never train enough. I remember being out in the middle of the canyon and thinking that, even though I’d trained in 90-mph winds, I wish I had trained at 120-mph winds. When you’re in the real setting, you’re much better of mentally, emotionally, and physically if your preparation has gone above and beyond. Thankfully everything worked out. The result was a dream come true. It was an extremely successful TV special. In fact, my Grand Canyon walk still remains the highest-rated special in the history of the Discovery Channel, which is the largest network in the world. It was a huge success, and it opened a lot of doors.

Nik Wallenda speaks at a press conference in Chicago after successfully walking the wire across the Chicago River, Sunday November 2, 2014.
Jessica Koscielniak / Sun-Times, File

How do you cross the Grand Canyon on a wire, with no harness, and keep calm?

A lot of it is the power of our mind – where we allow our mind to go, and what energy we give our thoughts. I am a believer, so I give all of my thoughts to God. There are so many times in life where my mind will want to go to a negative spot. The Grand Canyon is a perfect example. When I got hit with those 43-mph winds, my mind naturally wanted to freak out. I was then able to counter that negative thought with the fact that I had trained and prepared for that moment. Everything was going to be okay. I’d practiced walking in 90-mph wind gusts. I’m going to be okay. So I sort of talked myself down, and before you know it, my heartrate dropped down to a normal level.


Your new book is titled Facing Fear.

In some ways, I guess I never realized what fear was because I was raised to be fearless. The reason I wrote the book was because of that 2017 eight-person pyramid fall while training in Sarasota, and the fear that I experienced after that. The book talks in depth about the process that I went through to overcome fear after that terrible accident.


How do you deal with fear after something like that pyramid collapse?

After that accident, I started to experience fear to the point where it became debilitating. I actually thought I was done walking the wire. I remember that crucial conversation with my wife, where she said, “Look, I support you, but the family lives by the words ‘the show must go on.’ You do what you do to inspire people. I think you may need to dig a little deeper.” Well, that really set me off on a faith journey, one that was about finding out who I was, and then realizing that, yes, fear was a part of it, and that the seed had been planted during that accident. Reality of what happened that day hit me – I’d almost lost my sister. She was torn up and in a coma, and had 73 screws and plates in her face alone. And even though I got back on that wire the next day, I came to the realization that I was avoiding a very essential fact: Despite what I might have looked like on the outside, I was running from fear rather than dealing with it.

Acrobat siblings Nik and Lijana Wallenda prepare to attempt a highwire stunt in the middle of Times Square in New York City.

Is it fair to say that you were in denial of that fear?

That’s very true. My pastor recommended seeing this amazing Christian psychologist in town. After spending an hour with her I remember saying, “I’m fine. I got back on the wire right away. I don’t need to talk to anybody.” She challenged me and said, “You’ve got to deal with it. You have to learn about your fear, but before you can do that you’ve got to acknowledge that the fear is real in your life. And then once you do that, then you can deal with the shame.” And I think that’s when it hit me. I was ashamed of the fact that here I was, Nik Wallenda – entertainer, daredevil, risk taker – and I’m supposed to be fearless…but I’m really not. I’m human. I’m real. I experience fear like anyone else. I had to work through all of those steps in order to work my way to that shame. Only then was I able to face the fear, deal with the fear, and then overcome that fear.

The book applies to my personal struggle with fear, but it is really written for people who are dealing with fear in their everyday lives. For example, I talk to people all the time who are miserable every day when they go to work. They do it because there is a paycheck on Friday and it covers the mortgage, but they really have dreams of a different occupation. Fear is preventing them from pursuing their dreams. What happens as a result? They prefer the status quo. They settle. I wrote this book because I wanted to inspire them. “Yes, you’re in a job that you don’t like. You have to be smart – you don’t want to walk away from your job without a plan, but you can take action and prepare for the job you really want.” My hopes are that people reading this book will use the lessons that I had to go through and apply it to real world situations in their own lives. If so, then they might not have to go as deep down in the valley as I did before reaching the mountaintop.


You mentioned preparation. That seems to be a key ingredient to conquering fear.

The amount of preparation that goes into what I do is incredible. Just to give you an example, my latest TV special was on ABC, where I walked over an active volcano – the Masaya Volcano, near Managua, Nicaragua. We studied volcanoes for four years as a team just to prepare for this event. We wanted to know the effects not only on the equipment, but also on the individuals who would be closest to volcano. We also worked with many volcanologists to understand this unpredictable environment as best we could, and then developed a training regimen based upon that science.


How do you train to walk across an active volcano?

We knew that I was going to have to wear a gas mask for this walk, and the science told us that wearing a gas mask would deprive my brain of oxygen. Actually, a gas mask can drop your oxygen level anywhere between 15-to-30%. So I trained on a wire that was the same length as what I would walk over the volcano, and I wore an oxygen deprivation mask that would cut my oxygen levels all the way down to 30%. That way, I was only breathing 30% oxygen during my practice walks. The logic being, if I could perform a walk with my oxygen level that low, then performing the walk at 70% oxygen was going to much easier.

The gases were a challenge in other ways. In fact, the gases were much stronger than anyone anticipated, including my team that had done all of the studies. There was a high degree of variability with this environment. We installed safety cables in that volcano crater that lasted two months before failure, and then we had some that started failing after 10 days. That’s because conditions inside a volcano change almost daily. Gas levels can be thicker from one day to the next, from one week to the next, so it was hard to predict what window we were going to be in. I not only trained with goggles to protect my eyes from the sulfuric gases, but I trained with goggles that were fogged up on purpose, so that I literally could not see through them. I wore special suits designed to keep me hot, so that my body would be prepared for the heat. I walked with weighted vests and also with the extra weight of an oxygen tank, in case the gases got so bad and that I needed oxygen. I walked the wire like this forwards and backwards, sometimes six times per training session. Oftentimes I’d practice with all of this gear on, walking a mile-and-a-half without stopping. That way I could prepare for those worst cases, so that when I am faced with them I’ve already been in much more difficult situations. It’s similar to somebody who is about to speak in front of a large group. The more you practice, the more comfortable you get. And the more comfortable you get, the better the chances of delivering a better message.

Mr. T(L) and Nik Wallenda attend Mr. T And Nik Wallenda Celebrate National Amazing Month.

Does this training also help your concentration?

Yes, absolutely. A lot of training is about not being distracted. That was especially true for my walk over Times Square. There’s no greater distraction than all of those giant LED screens, people, taxis, and noise that you have going on in Times Square. So yeah, concentration is a huge part of it – training to not be distracted, and to stay focused. To be honest with you, I have a little bit of ADHD. My mind is everywhere sometimes. But when I’m on the wire, that’s the one place where I feel like I can stay extremely focused.


Let’s talk Niagara Falls. More than a hundred thousand in attendance, and millions watching on TV.

Niagara Falls took changing 100-year-old laws in two countries in order to get permission to walk over, so just the political part of that event was an overwhelming, monumental task. Then there was the training and the actual walk itself, followed by the network coming in last-minute and ordering me to wear a tether. That was something that I’d never done before. It’s like telling Tiger Woods that he’s got to use a specially weighted golf club instead of his trusty driver just before he tees off in a major. It’s going to throw him off because it’s different. It’s unique. And here I was, risking my life while people watching thought that the tether was going to save me. While that is true in in the purest sense, the reality is that a tether presented a risk as well. A tether could have caused me to fall. I could have gotten tangled up in it. The reality is, I’d trained for this walk without a safety. It was an extremely uncomfortable change, especially in a situation where I had never done it before and didn’t get to train with it on. But the network made the decision 10 days before the walk, and they were determined that I had to wear it. It was nonnegotiable.

Nik Wallenda edges his way along the tightrope above Niagara Falls (Image: Reuters)

What was the diameter of the wire you walked on?

I walked on a cable that was 2-inches in diameter, which was also different for me. My entire life, I had walked on a 5/8-inch wire rope, which is what I’m comfortable with to be honest with you. If someone came to me and said, “Do you want a 3-inch wire rope, 2-inch wire rope, or a 1-inch wire rope?” I would choose a 5/8-inch roped every time. It’s much smaller, obviously, but it’s where I feel at home.


What role does creativity play in preparing to walk something like Niagara Falls?

Creativity is a huge element. We actually brought in airboats to create strong winds, as well as fire trucks to simulate the heavy mist created by Niagara Falls. It’s really hard to simulate real world settings, but I have a great team of engineers and family members that are extremely creative.

A lot of my walks are creative in the sense that we are doing things never done before. There were many, many unique challenges like that when it came to walking over Niagara Falls. For example, we had these pendulum-type weights installed to keep the wire from twisting. What we learned at Niagara Falls, we took with us to help make the Grand Canyon walk a little bit safer. Then we took what we learned from the Grand Canyon experience and applied it to the volcano walk. So, we’re always learning, always pushing, and always being creative in our work.

Lijana Wallenda and Nik Wallenda walk a high wire over Times Square during the Highwire Live In Times Square With Nik Wallenda on June 23, 2019, in New York City.
Eugene Gologursky/Getty Images for Dick Clark Productions

Your faith is an important part of your identity. When you walked the Grand Canyon, you could be heard trusting each step to Jesus. How you use your faith to inspire and motivate others?

My faith is just like my wire walking. It’s who I am. I gave my life to Christ at three years old, so it’s really all I’ve ever known. I’m not preaching when I’m out there on the wire. When I’m on TV, I’m living my life. I think that’s why mainstream media respects it so much. There are no demands on our part to have the microphones on while I’m walking that wire. The networks could turn it off if they want, but they choose instead to keep it on. I think people respect that I’m not out there trying to change someone’s life or belief system. It’s just me being real, and that is what helps keep me calm. People are awestricken by the fact that I can stay that calm in those settings, but the Bible talks about a peace that passes all understanding. That is where I get my peace. If people’s lives are encouraged, inspired, or brought the faith because of that, then that’s me fulfilling my calling. Otherwise I just live my life by example, which is what the Bible calls us to do – to be Christlike. I don’t always succeed, but I try.


What have you been doing to stay relevant during the COVID-19 pandemic?

We opened up the drive-in thrill show, which has been a huge success. We’ve played a month now in two different cities, and have basically invited a bunch of my daredevil friends to perform with me. This is something we normally can’t do, because everyone is always booked up and performing elsewhere, but coronavirus changed all of that. So I called everyone up and said, “Hey let’s all get together and put on this awesome show.” People can drive onto a lot in their car, and the action takes place high above the ground. You can watch from the inside of your car, or the front of your car, and you can tune in to our radio station and see a great show. I speak from the wire for about 20 minutes, and use that time to hopefully motivate and encourage people during these crazy times.

PASADENA, CALIFORNIA – JANUARY 08: Nik Wallenda (L) and Erendira Wallenda attend ABC Television’s Winter Press Tour 2020 held at The Langham Huntington, Pasadena on January 08, 2020 in Pasadena, California.
(Photo by Michael Tran/FilmMagic)

Final Question:  If you could offer one piece of advice to inspire and motivate others, what would that be?

I would tell you that God has blessed us all with powerful minds. We have the ability to control what we allow into our minds, and also what we allow out. We have the power to filter out the negative thoughts and replace these with positives. If I am on the wire and get hit with 43-mph winds, I can immediately counter that with the thought that I trained in 90. It is definitely something that you have to practice. Fear can overtake us. Fear can debilitate us. Or, if we learn to face our fear, it can empower us.

Written By: Michael D. McClellan | Stephanie Peterson has arrived, and in more ways than one. The model, represented by the prestigious Wilhelmina modeling agency, has splashed down in Miami for Swim Week 2019, the annual 6-day event that showcases the latest in swim and resort wear. Jam-packed with runway shows, trade shows, pop-up shops, and pageants at select venues throughout Miami, Swim Week is the Super Bowl of aquatic fashion, drawing designers and models from around the globe, creating a swimwear tour de force unmatched in the industry.  Peterson, from Brainerd, Minnesota, brings a unique blend of radiance, mystery and allure to both the runway and her photo shoots, turning designer swimwear into pieces of art that draw the eye and tug at the heart as if inspired by the brush of French master Henri Matisse.  There’s also a hint of danger involved when soaking in Stephanie Peterson at work: Stare too long and risk getting lost in some Inception­-like dreamscape where time seems to stand still; dare look away and risk a case of whiplash, the gravitational pull of her beauty impossible to escape.

Spend any time at all with Peterson and you realize that, as beautiful as she is, her real super power lies within. Friendly and funny, she places great value in relationships – her family, her friends, associates in the modeling community – and she is quick to give credit where credit is due, from those at Wilhelmina who protect her image and lovingly guide her career, to the photographers who transform Peterson from Upper Midwest beauty to Instagram goddess.  Peterson also eschews the superficial in favor of good, old-fashioned substance, drawing strength on the positive energy of others and then paying it back with interest.

“I enjoy the company of genuine, kind people,” she says without the slightest hesitation. “It’s important to surround yourself with people who focus on the positive, even when faced with trying times or difficult circumstances.  Optimism is the only way to go.”

Minnesotan Stephanie Peterson at work, Miami Beach, Florida

Swim Week is the premier event in the world for the swimwear industry, and the resulting images an important part of any model’s book. Peterson thrives on the energy as easily as she soaks up the South Beach sun.

“There’s not another event like it,” she says. “It truly is the epicenter of swimwear-related fashion. It’s a great opportunity network, reconnect, and grow your brand as a model. It’s a whirlwind week.”

While modeling keeps Peterson on the go, she balances a hectic business schedule with an uncomplicated approach to her personal life.  She’s just as apt to lounge in comfy clothes like the rest of us, throwing on her favorite sweatpants and sweatshirt and curling up with a good book.  Her approach to diet and exercise is also refreshingly straightforward, as is her hair and makeup routines. And while she emotes a smoldering, high-fashion vibe in front of the camera, she is equally quick with a smile away from it.

“I’m a pretty chill person,” Peterson says. “Modeling keeps me busy, so I like to keep things as simple as possible, whenever possible. It’s all about being balanced.”


Let’s talk about Miami Swim Week 2019!

Swim Week starts on Monday with the castings, and then I believe the shows start on Thursday. It’s a jam-packed experience. You have castings, fittings, and fit-to-confirms that run through much of the week, and even on Saturday for some shows. The clients can also request certain models directly. There’s never a dull moment!


It sounds like a lot of work, but in a good way.

Very much so!  We are basically running all over South Beach in Miami all week, so you really don’t have a reason to complain. It’s like a big reunion, honestly, if you’ve worked in the Miami market. Girls fly in from Los Angeles and New York, while some are flying in from Europe and Australia. You get to see a lot of familiar faces and renew friendships with people you haven’t seen in a while. It’s very busy, and it’s also stressful at times, but it’s super fun, too. Everyone just wants to have a good time. Swim Week is a great experience.

Stephanie Peterson – Swim Week 2019

Are you ready?

I’m doing a lot of castings, and I have a few fit-to-confirms scheduled. I’m also walking in a few shows, so there is a lot of preparation involved.  There’s also a lot of networking that goes on during the week as well, which is almost equally important in terms of building your career.  This is my second Swim Week – last year was my first – so I know what to expect a little bit better now.  I’m very excited and ready for the week to start!


Please take me back to the beginning – how did you get your start in modeling?

I grew up in Brainerd, Minnesota. A lot of people back home encouraged me to get into modeling, but I wasn’t convinced that I wanted a modeling career at that time. I went to college with aspirations to be a doctor instead, but, after completing my first year of school, I realized that chemistry really wasn’t my thing. That’s when I took some time to reassess my goals and decided that I would look into the modeling thing.


How long before you realized you were on the right career path?

That summer, actually. Too Faced Cosmetics and Wilhelmina were conducting a model search as part of the Too Faced 20th-Anniversary Celebration Campaign. I knew that Too Faced was a super big player in the cosmetics market, and my friends were encouraging me to apply, so that’s how it all came together. I entered the competition not really expecting anything from it, but I made the Top 10 and ended up getting flown out to Los Angeles with nine other girls. I didn’t win the competition, but Wilhelmina signed me apart from the competitions being conducted in New York, Miami, and Los Angeles. That was a magical feeling, because all I ever wanted to do was to get a modeling contract.

Stephanie Peterson

Wilhelmina Models is one of the premiere modeling and talent agencies in the world  What’s it like to be part of the Wilhelmina family?

Being in the modeling business is pretty intense, but my agents are amazing people who’ve made the process very smooth for me. They are like my family, honestly. I’ve only worked in the Miami and L.A. markets, so I haven’t met the agents in New York yet, but I’m super-stoked to get up there and meet them soon.

For me, Wilhelmina is the perfect fit because everyone has been so sweet and they are genuinely good people. It’s unique in that respect. I feel like, in this industry, it is very hard to find agents that care about you as a person, and the agents at Wilhelmina really mother you in a big way. They develop you, they care about you, and they want the best for you, so I feel very fortunate to be with Wilhelmina. They have been absolutely amazing.


I’ve heard that not all agencies subscribe to that same culture.

When I was in high school I dabbled in modeling a little bit, and was briefly engaged with an agency based in New York. It was primarily a men’s agency at the time, but they were trying to get their women’s ward up and going. I remember meeting with them…they were talking about all of these wonderful clients that they had, which was true because they did have good clients, and their girls were working. It looked very promising, but, before I went to New York, they said they weren’t going to market me to clients until I lost ten pounds. I was already pretty slim at the time, so it was an eye-opener for me in terms of the modeling industry. I learned very quickly that there are agencies that don’t really care about your well-being, that don’t want you to be healthy, that don’t really want the best for you. At that point I decided that I wasn’t going to sacrifice my own health for this industry. And with Wilhelmina, I’ve never had problems when it comes to stuff like that. I feel very fortunate to be a part of the Wilhelmina family.


Let’s talk healthy lifestyle.  Please tell me a little about your diet.

I really love food, and I try to be health conscious about it, so my diet secret is that I basically do everything in moderation. My mom taught me that growing up. She stressed that you can’t be too restrictive in your diet, otherwise it just leads to unhealthier habits elsewhere, so from an early age I’ve eaten what I’ve wanted, as long as I do so in moderation. I don’t really consume a lot of dairy products, and I don’t consume a lot of meat products, just because it’s not the best for me.

Stephanie Peterson

What about your exercise regimen?

As far as working out, I like a little bit of everything.  I like to switch it up, otherwise I get bored. I do a lot of Pilates and weightlifting, and that’s what I’ve really found that transforms my body. And I also like to walk everywhere, just to get some miles in.


How important is water to your beauty regimen?  And what about sleep?

Water is super important, although I must admit that I’m not the best at drinking a lot of it. But for skin and over all energy levels, and just flushing out toxins, staying hydrated is a vital part of a healthy lifestyle, and not just as it relates to beauty. I sleep all of the time, so I don’t have a shortage on that [laughs].


Are you a wine drinker?

Yes, I love a good rosé wine. I’m not big on red wine, because it ends up giving me a headache.


What is your definition of beauty?

I think that beauty is the love that comes from within a person. To me, it’s all about the positive energy that they have, and how magnifying they are because of it, so it doesn’t really matter what someone looks like. I don’t judge people on external beauty when it comes to making friends. I’m able to admire external beauty, but internal beauty is 100% way more important to me. It’s all about how someone makes you feel. Are they a good friend? Do they give you something that makes you want to keep coming back? Can they change the mood in a good way, just by walking into the room? I think that’s what makes someone truly beautiful.


I recently interviewed Pharrell Williams, who has his own unique fashion sense.  How has your style evolved over the years, and what are you wearing in 2019?

My style in 2019 is pretty much comfort-based. I’m not super into designer labels or anything like that. My style actually leans more to the boho side, but I like to switch it up for sure, it just depends on my mood that day and how I like to look. I’m like a lot of other models you might see but not recognize on the street, because I’m not wearing designer labels when I walk past you – I’m wearing sweatpants and a sweatshirt [laughs].

Stephanie Peterson

Your hair is always beautiful, and is shot in so many different and interesting styles.  What’s your secret to great hair care, and what’s your go-to style when you hit the town?

For hair care, I’m pretty simple. I use Herbal Essence because I think it smells the best and it works really well with my hair. I always use a hair oil after I shower, so I use Kérastase or anything by IGK. I always wear my hair curled if I’m going out. I discovered a really cool way that the makeup artists and hairstylists do my hair, and I’ve tried to copy them.


Makeup is a big part of any female model’s utility belt.  What are your makeup dos and don’ts, and do you have any makeup advice for other aspiring models?

My makeup don’t is non-negotiable: Don’t underline the eyes in black eyeliner. I absolutely avoid that at all costs. To me it’s not a good look. When makeup artists do that to me, I’m like, “Oh my gosh, you just made me so ugly [laughs].”

To me, a do is to always have fresh, glowing skin. I think the skin 100% makes or breaks the look. And so, for aspiring models, I think that figuring out what is best for your skin and your facial type is so important. And to me, less is more. When you go in to see an agency, they don’t want to see you caked up with makeup. They want to see you and what they can do with you.


Your Instagram feed is amazing.  How hard is it to get the right shot, and how much of it depends on the photographer that you’re working with?

Honestly, the photographer is everything. It’s important to note that they can really make or break the shoot. They know the best angles, how to work with the background, how to leverage the lighting, things like that. Post-editing is critical. If they are not good at that, it can definitely ruin the images. I’ve seen some images, and I was like, “Oh my God, I’m the ugliest human alive.” And others make me feel like a goddess. There’s a crazy range out there, and the quality varies from photographer to photographer.  You quickly learn the ones you can trust on a shoot, and you try to work with them every chance you get.

Stephanie Peterson

Have you ever felt self-conscious in front of a camera?

Absolutely. Especially if my skin isn’t doing the best, or if I had maybe too much risotto that week then yeah, I do get self-conscious.


Do you ever get nervous when you walk the runway?

I do get butterflies. It’s a little bit nerve-racking right before you go out, but everyone is feeling the same energy. You are mostly stoked and you’re thinking, “Don’t trip out there, just work it.” The runways are usually pretty short, so you get in, you get out, and when it’s over you realize that that it wasn’t so bad. The rush you feel is incredible, because when you first walk out there because everyone is looking at you. If you let your eyes drift to the audience you’ll see some people smiling, or some sitting straight-faced, or whatever the case may be, but all eyes are on you in that moment. It’s a really cool feeling. It’s hard for me not to smile when I’m going down the runway.


Which are your favorite brands of swimwear, and why?

Luli Fama. I’d worked with them a few times, and although I had never purchased their swimwear, whenever I was shooting it I’d fall in love with the brand. You get to try on something like twenty pieces of swimwear for a shoot, so you really get the feel for how they fit, as well as the styles and the colors. Luli Fama just fits so well with my body. The quality is amazing, the prints are beautiful. I love Luli Fama.


You’re part of the first generation of models for whom social media is a key part of the job. Could you ever imagine a career in fashion without social media?

I really can’t imagine having a career without social media. When I starting modeling, everyone was providing the same advice – work on building my Instagram presence. At the time I had about 4,000 followers, and I didn’t really know what to do. There was a lot pressure to grow my base, but I’ve been able to do that and it’s created a lot of opportunities for me as well.


In what ways can social help or hurt a modeling career?

I’d say you definitely have to be really careful about what you say on social media, because, even if you mean it to be completely innocent, it can be misconstrued and turned into something that can be really harmful to your career. Because people interpret things a lot of different ways, I’m always really very careful about what I say. I always try to send out a positive, uplifting message, and I don’t really get into anything that could be too opinionated, just because I don’t think my opinions are part of my career at this point. I don’t really have the platform to truly speak out yet.


Does Wilhelmina help you navigate the social media world?

Yes, Wilhelmina guides me a lot in terms of my social media. I might post a caption that may be too personal, and if it’s work-related they might advise me to take it down. I’m cautious not to go too deep into my own personal life, but it’s hard to find the balance between wanting to show people that I’m a real person and just showing them my book.  Wilhelmina provides me with a lot of guidance in this arena. I respect them and I trust them.


Modeling seems to foster both close bonds and intense competition among those in the profession.  Is this an accurate assessment?

Yeah, I would say that’s pretty accurate, I’ve only really bonded with some of the best girls, and you can definitely pick up on the energy of other models. I think that the only reason you would feel super competitive against someone is if it comes from within, and you feel that there’s something missing. That’s not how I approach it. For me, I’ve developed a mindset that there are plenty of jobs out there, and that there is a job for every single girl. That thought of abundance helps keep me grounded and keeps me from becoming insecure. That’s why I really don’t feel like that the other girls are my competition. I see them as my friends. We’ve gone through the same things, and they understand my life better than anybody ever could. So you really develop a special bond with them. With that said, the industry as a whole is definitely competitive. I just try to tune that out.


Every model is different in their ability to project certain feelings or emotions. How would you compare and contrast yourself with someone like Australian model Natalie Roser?

I’ve met Natalie in person, and she projects super good vibes. She’s smiling all of the time, and she’s always super happy, and I think that comes across a lot in her images. By contrast, I’m someone who is very laid back, very chill. I know how to have a good time, but I wouldn’t say that I’m stoked all of the time. I’d rather do more high-fashion shots where I’m not really smiling, and that comes across a lot easier for me in the images that I shoot. Emotion is hard to get on camera. If you have the right photographer, the right team, and you are in the right heads pace, then you can really capture the mood.


What do you like to do for fun?

I’m into reading and writing, but I’m super outdoorsy since I grew up in Minnesota. I love the ocean, and just being out on the water – boating, swimming, and snorkeling.


Stephanie Peterson

What are your secrets to healthy skin?

That’s hard. It took me a while to figure out what works for me, and I think that that’s what everyone deals with. I’ve found that the Jan Marini skin care system works the best for me, but it’s hard being a girl because your hormones are always changing, and I’m dealing with hormonal breakouts right now. So I think drinking a lot of water, having a balanced diet, and taking care of your skin the way you feel best about it is so important.


What’s the one quality that matters most to Stephanie Peterson?

Kindness. It’s all about the energy that someone has – how kind they are, how they treat people, how they respond to situations of stress or negativity. I really admire that quality and I look for it in my friends and my relationships. It helps determine who I want in my life.